- Overview
- Specifications
WHY ANTHEM’S AVM 50v IS THE BEST-SELLING PREAMPLIFIER/PROCESSOR IN ITS CLASS
SOUND FROM HDMI SOURCES PLAYS PERFECTLY, AT LEAST IT DOES IF YOU’RE USING AN AVM 50v …
Why? In the AVM 50v, all eight HDMI inputs are connected through high-performance TMDS (Transition Minimized Differential Signaling) timing regenerators and multiplexers. The receiver contains a programmable equalizer and a Clock Data Recovery (CDR) function for each of the three TMDS pairs in an HDMI or DVI signal. The TMDS data outputs are regenerated and perfectly aligned to the regenerated TMDS clock signal, creating an extremely clean low-jitter DVI/HDMI signal that is easily decoded by the HDMI receiver. This is particularly useful for cleaning up a noisy/jittery source, or when a long or low-quality cable is being used.
BROADCAST-QUALITY DIGITAL VIDEO PROCESSING
- Video Format Conversion—the latest-generation Sigma DesignsVXP broadcast-quality digital image processor (supporting deep color and better-than-ever video algorithms!) converts any SD or HD video standard to other video standards.
- Quadruple video output configuration makes it easy to switch from one configuration to another.
- Superior image quality using per-pixel processing and motion-adaptive de-interlacing ensures optimal image sharpness and picture resolution.
- Dynamic directional interpolation eliminates jaggy artifacts found in traditional de-interlacing algorithms.
- Full film-mode detection for all SD and HD inputs.
- Video transcoding allows S-Video and Component Video inputs to be digitally processed and enhanced, and then routed through the Component or HDMI outputs.
- Each source can be adjusted independently for best picture.
- Adjustable cropping
- Aspect ratio control
- Chroma bug filter
- Frame lock
- Gamma correction
- Adjustable noise reduction
- Adjustable detail enhancement
- Custom output resolution and timing via PC utility
- All on-screen displays are shown through HDMI and Component Video
- On-screen display shows adjustments being made (can be disabled)
- All functions are available for HD input
- Component parts are carefully chosen for their ability to maintain the lowest possible total harmonic distortion and noise (THD + N).
- Handcrafted circuit board layouts (not done by auto-routers) with extensive use of groundplanes achieve exceptionally low noise, low crosstalk, and protect against electrostatic discharge.
- 4-layer hand-designed motherboard includes separate power and groundplanes.
- 6- and 8-layer DSP, A/D and D/A boards. A/D and D/A converter boards use separate analog and digital planes, as well as separate power and groundplanes for remarkably low noise. All critical signal paths are surrounded by groundplanes.
- Super-efficient switching power supply:
- Low-noise, low-emissions design
- Multiple-synchronized dithered-frequency isolation stages ensure exceptionally quiet audio and video operation and excellent electromagnetic compatibility
- Fourteen independently regulated output stages ensure optimal operating environment
- Anthem’s Own Design! Two dual-core digital signal processing (DSP) engines, our own design, offer a total of 800 MIPS to allow decoding of the new HD audio standards: Dolby Digital Plus, Dolby TrueHD, DTS-HD High-Resolution Audio and DTS-HD Master Audio. More than enough processing power to handle even the most complex program material with matchless precision.
- Superior Analog-to-Digital/Digital-to-Analog conversion:
- A/D capable of up to 24-bit x 96-kHz resolution
- D/A operates at full 24-bit x 192-kHz resolution
- Audio-grade film capacitors and operational amplifiers.
- Superior-quality analog attenuator (volume control).
- Fully buffered audio and video inputs for minimum crosstalk.
- Highest-quality video-switching circuitry on completely independent and isolated circuit boards.
- High-precision thru-hole passive components.
- Heavy-gauge non-resonant chassis.
- Headphone amplifier features a high-current/voltage design with a dedicated fully discrete output www.
- Analog-Direct available on all inputs
- Tone Bypass disables Bass/Treble adjustment
- Balanced 2-channel XLR digital input for best digital signal
- True-Balanced 2-channel analog input for best analog signal
- True-Balanced analog outputs provide best noise rejection and purest signal transmission
Even when the finest speakers are perfectly positioned, the room itself still has a dramatic impact on a system's sound, an impact more profound than that of any individual component. Various solutions have fallen in and out of favor over the years, but none has solved the problem of "the room." Until ARC. Using proprietary processes and the power of your PC the ARC system, years in development and included with your Anthem Statement D2v, analyzes each speaker's in-room sound and then computes the required correction to yield optimal performance from every speaker. It's a process that takes less than five minutes! Anthem's approach is a true audiophile solution to the problems of the room. ARC is garnering rave reviews across the industry. For more information, see the ARC data sheet in the downloads & support section.
| VIDEO SWITCHING | ||
| Bandwidth from input jack to output jack | Composite and S-Video | 70 MHz |
| Component: Y | 110 MHz | |
| Component: Pr | 90 MHz | |
| Component: Pb | 80 MHz | |
| All analog video inputs and outputs are 75 Ω, 1.5 Vp-p. | ||
| ANALOG AUDIO | ||
| Input Impedance | 20 kΩ | |
| Output Impedance | Main–RCA | 300 Ω |
| XLR | 600 Ω | |
| Zones 2/3 and Record | 51 Ω | |
| Rated Input | 2.0 Vrms | |
| Maximum Input | 5.3 Vrms; 3.0 Vrms for 6-Ch input | |
| Minimum Load | 5 kΩ | |
| Rated Output (100 kΩ load) | 2.0 Vrms | |
| Maximum Output | RCA | 6.3 Vrms |
| XLR | 12.6 Vrms | |
| Headphone Output | 100 mW into 32 Ω at 0.2% THD+N | |
| Volume Control Range | Main | -95.5 dB to +31.5 dB (in 0.5 dB increments) |
| Zones 2/3 and Headphone | -62.5 dB to +10.0 dB (in 1.25 dB increments) | |
| Crosstalk (At 1 KHz) | 82 dB between channels; 86 dB between inputs | |
| XLR Pin Configuration | Pin 1: Ground, Pin 2: Positive, Pin 3: Negative | |
| DIGITAL AUDIO | ||
| Crossover | High-Pass Slope (small speaker setting) | 12 dB/octave (2nd order) |
| Low-Pass Slope (subwoofer) | 24 dB/octave (4th order) | |
| Frequency (adjustable) | 25 Hz to 160 Hz (in 5 Hz increments) | |
| Tone Control | Filter Type | Shelf |
| Range | ±12 dB | |
| Bass Turnover Frequency | 200 Hz | |
| Treble Turnover Frequency | 2 kHz | |
| Analog-To-Digital Conversion S/N Ratio (at digital Rec output) (IEC-A Filter) | 100 dB | |
| All digital inputs and outputs comply with HDMI , S/PDIF or AES/EBU standards. | ||
| MAIN PATH (RCA and XLR Outputs) | ||
| Frequency Response And Bandwidth | Analog Direct Inputs | 10 Hz to 20 kHz (+0 -0.2 dB), 1 Hz to 120 kHz (+0 -3 dB) |
| Analog-DSP Inputs at 24/96 | 10 Hz to 20 kHz (+0 -0.3 dB), 2 Hz to 37 kHz (+0 -3 dB) | |
| Digital Inputs at 24/96 | 10 Hz to 20 kHz (+0 -0.2 dB), 1 Hz to 39 kHz (+0 -3 dB) | |
| THD+N (at Rated Input and Output) | Analog Direct Inputs | 0.006% (80 kHz BW) |
| Analog-DSP Inputs at 24/48 | 0.006% (AES17 Filter) | |
| Digital Inputs at 24/48 | 0.004% (AES17 Filter) |
|
| IMD (CCIF at 15 kHz and 16 kHz) | Analog Direct Inputs | 0.001% |
| Analog-DSP Inputs at 24/48 | 0.003% | |
| Digital Inputs at 24/48 | 0.001% | |
| S/N Ratio (ref. 2.0 Vrms, IEC-A filter) | Analog Direct Inputs | 106 dB |
| Analog-DSP Inputs at 24/48 | 100 dB | |
| Digital Inputs at 24/96 | 104 dB | |
| ZONE 2 AND ZONE 3 PATHS | ||
| Frequency Response And Bandwidth | 20 Hz to 20 kHz (+0 -0.1 dB), 3 Hz to 140 kHz (+0, -3 dB) | |
| THD+N (at Rated Input and Output) | 0.06% (80 kHz BW) | |
| IMD (CCIF at 15 kHz and 16 kHz) | 0.06% | |
| S/N Ratio (ref. 2.0 Vrms, IEC-A Filter) | 97 dB | |
| FM TUNER | ||
| Sensitivity | 50 dB S/N | 13 dBμ typical, 25 dBμ max |
| IHF | 10 dBμ typical, 20 dBμ max | |
| S/N Ratio | Mono | 75 dB typical, 65 dB min |
| Stereo | 69 dB typical, 60 dB min | |
| Distortion | Mono | 0.2% typical, 1.0% max |
| Stereo | 0.3% typical, 1.5% max | |
| Stereo Separation | 40 dB typical, 25 dB min | |
| Alternate Channel Selectivity(±400 kHz) | 70 dB typical, 60 dB min | |
| Frequency Response | 25 Hz to 15 kHz (+0 -2 dB) | |
| AM TUNER | ||
| Sensitivity (20 dB S/N) | 49 dBμ typical, 56 dBμ max | |
| S/N Ratio | 50 dB typical, 43 dB min | |
| Distortion | 0.7% typical, 2.0% max | |
| One-Signal Selectivity (±10 kHz) | 24 dB typical, 18 dB min | |
| CONTROL | ||
| Infra Red | Carrier Frequency | 38 kHz |
| Maximum 12 V Supply Current | 150 mA | |
| Maximum Emitter Current | 60 mA per output | |
| RS-232 Interface | Connection | DB-9F, straight-wired |
| Pinout (processor side) | Pin 2: Tx, Pin 3: Rx, Pin 5: Ground | |
| Baud Rate | 1200, 2400, 4800, 9600, 19200, 38400, 57600, 115200 | |
| Configuration | 8 data bits, 1 stop bit, no parity bits, flow control (RTS/CTS, none) | |
| Trigger Outputs | Polarity | tip positive, sleeve ground |
| Maximum Current at 12 VDC | 300 mA between all three triggers | |
| Sequential Delay | 250 ms | |
| POWER REQUIREMENT | ||
| Power Consumption | Maximum 150 W | |
| DIMENSIONS (HEIGHT INCLUDES FEET) | ||
| Height | 5-7/8 inches (14.9 cm) including feet; rack-mounting: 3 rack units without feet | |
| Width | 17-1/4 inches (43.8 cm) | |
| Depth | 14-1/2 inches (36.2 cm) | |
| Weight (unpacked, not including 8 lb (3.5 kg) ARC microphone kit) | 30.7 lb (14 kg) | |








