- Overview
- Specifications
AS GOOD AS IT GETS WHEN IT COMES TO DIGITAL AUDIO AND DIGITAL VIDEO PROCESSING
SOUND FROM HDMI SOURCES PLAYS PERFECTLY, AT LEAST IT DOES IF YOU'RE USING AN D2v …
Why? In the D2v, all eight HDMI inputs are connected through high-performance TMDS (Transition Minimized Differential Signaling) timing regenerators and multiplexers. The receiver contains a programmable equalizer and a Clock Data Recovery (CDR) function for each of the three TMDS pairs in an HDMI or DVI signal. The TMDS data outputs are regenerated and perfectly aligned to the regenerated TMDS clock signal, creating an extremely clean low-jitter DVI/HDMI signal that is easily decoded by the HDMI receiver. This is particularly useful for cleaning up a noisy/jittery source, or when a long or low-quality cable is being used.
BROADCAST-QUALITY DIGITAL VIDEO PROCESSING
- Video Format Conversion—the latest-generation Sigma Designs VXP broadcast-quality digital image processor (supporting deep color and better-than-ever video algorithms!) converts any SD or HD video standard to other video standards.
- Quadruple video output configuration makes it easy to switch from one configuration to another.
- Superior image quality using per-pixel processing and motion-adaptive de-interlacing ensures optimal image sharpness and picture resolution.
- Dynamic directional interpolation eliminates jaggy artifacts found in traditional de-interlacing algorithms.
- Full film-mode detection for all SD and HD inputs.
- Video transcoding allows S-Video and Component Video inputs to be digitally processed and enhanced, and then routed through the Component or HDMI outputs.
- Each source can be adjusted independently for best picture.
- Adjustable cropping
- Aspect ratio control
- Chroma bug filter
- Frame lock
- Gamma correction
- Adjustable detail enhancement
- Custom output resolution and timing via PC utility
- On-screen display shows adjustments being made (can be disabled)
- All functions are available for HD input
- The 24-Bit/192-kHz precision upsampler operates on all digital audio signals. The D2's DACs also incorporate 128X oversampling to increase the sample rate to 24.576 MHz, ensuring the best phase and frequency response possible. Measurable results reflect exceptionally flat frequency response and THD+N in the upper frequencies. This is up to twenty times lower than some of the best high-end outboard DACs, resulting in a much higher level of transparency for multichannel music and movies. Sonic performance is astounding. Smoother high-frequency response, superior detail, and better image focus—a far more transparent window on the original performance.
- Anthem's Own Design! Two dual-core digital signal processing (DSP) engines, our own DSP design, offer a total of 800 MIPS to allow decoding of the new HD audio standards: Dolby Digital Plus, Dolby TrueHD, DTS-HD High-Resolution Audio and DTS-HD Master Audio. More than enough processing power to handle even the most complex program material with matchless precision.
- Triple 4 Mbit 8ns external memory is large enough to ensure that the DSP engines never run out of resources.
- An impressive resumé of superior-quality component parts:
- Audio-grade film capacitors and operational amplifiers
- Low-ESR electrolytic capacitors
- Audio-grade signal-coupling capacitors
- High-value (1,000 ?F) ADC reference voltage decoupling capacitors for lowest possible THD+N below 1 kHz
- Super-efficient switching power supply:
- Low-noise, low-emissions design
- Multiple-synchronized dithered-frequency isolation stages ensure exceptionally quiet audio and video operation and excellent electromagnetic compatibility
- Fourteen independently regulated output stages ensure optimal operating environment 4-layer hand-designed motherboard includes separate power and groundplanes.
- Independent 6- and 8-layer DSP, A/D and D/A converter boards—A/D and D/A use separate analog and digital planes as well as separate power and groundplanes for remarkably low noise.
- All critical signal paths are surrounded by groundplanes.
- Fully buffered audio/video inputs for minimum crosstalk.
- State-of-the-art video switching circuitry is laid out on isolated, independent 2-layer glass-epoxy circuit boards.
- Highest-precision thru-hole passive components.
- Unparalleled analog-to-digital and digital-to-analog conversion eliminates noise in the 20 to 80-kHz frequency band thanks to the high quality of our ADC and DAC designs:
- Analog-to-Digital Conversion (ADC):
- Capable of up to 24-bit x 192-kHz resolution
- Six stereo analog attenuators—one for each channel of the 6-channel input, promote greater dynamic range and an impressive reduction in distortion
- Digital-to-Analog Conversion (DAC):
- Converters operate at their full 24-bit x 192-kHz resolution
- Switched-capacitor output filters significantly reduce the DAC's sensitivity to rapid fluctuations in bit rate
- The built-in state-of-the-art upsampler allows the DACs to run at the highest speed (192 kHz) regardless of the incoming digital bitstream, and with extremely low back ground noise up to almost 100 kHz
- High-accuracy clock generator (49.152 MHz, ±0.001%) eliminates the potential for errors in timing, thereby contributing to a significant reduction in the distortion common in D/A conversion
- Analog-Direct available on all inputs
- Tone Bypass disables Bass/Treble adjustment
- Balanced 2-channel XLR digital input for best digital signal
- True-Balanced 2-channel analog input for best analog signal
- True-Balanced analog outputs provide best noise rejection and purest signal transmission
Even when the finest speakers are perfectly positioned, the room itself still has a dramatic impact on a system's sound, an impact more profound than that of any individual component. Various solutions have fallen in and out of favor over the years, but none has solved the problem of "the room." Until ARC. Using proprietary processes and the power of your PC the ARC system, years in development and included with your Anthem Statement D2v, analyzes each speaker's in-room sound and then computes the required correction to yield optimal performance from every speaker. It's a process that takes less than five minutes! Anthem's approach is a true audiophile solution to the problems of the room. ARC is garnering rave reviews across the industry. For more information, see the ARC data sheet in the downloads & support section.
| VIDEO SWITCHING | ||
| Bandwidth From Input To Output Jack (bypass mode for component video) | ||
| Composite And S-Video | 70 MHz | |
| Component | Y | 110 MHz |
| Pr | 90 MHz | |
| Pb | 80 MHz | |
| All analog video inputs and outputs are 75 Ω, 1.5 Vp-p. | ||
| ANALOG AUDIO | ||
| Input Impedance | 20 kΩ | |
| Output Impedance | Main-RCA | 300 Ω |
| XLR | 600 Ω | |
| Zones 2/3 and Record | 51 Ω | |
| Rated Input | 2.0 Vrms | |
| Maximum Input | 5.3 Vrms | |
| Minimum Load | 5 kΩ | |
| Rated Output (100 KΩ Load) | 2.0 Vrms | |
| Maximum Output | RCA | 6.3 Vrms |
| XLR | 12.6 Vrms | |
| Headphone Output | 100 mW into 32 Ω at 0.2% THD+N | |
| Volume Control Range | Main | - 95.5 dB to +31.5 dB (in 0.5 dB increments) |
| Zone 2/3 and Headphone | - 62.5 dB to +10.0 dB (in 1.25 dB increments) | |
| Crosstalk (At 1 KHz) | 82 dB between channels; 86 dB between inputs | |
| XLR Pin Configuration | Pin 1: Ground, Pin 2: Positive, Pin 3: Negative | |
| DIGITAL AUDIO | ||
| Crossover | High-Pass Slope (small speaker setting) | 12 dB/octave (2nd order) |
| Low-Pass Slope (subwoofer) | 24 dB/octave (4th order) | |
| Frequency (adjustable) | 25 Hz to 160 Hz (in 5 Hz increments) | |
| Tone Control | Fliter Type | Shelf |
| Range | +/- 12 dB | |
| Bass Turnover Frequency | 200 Hz | |
| Treble Turnover Frequency | 2 kHz | |
| Analog-To-Digital Conversion S/N Ratio (At Digital Rec Output) (IEC-A Filter) | 100 dB | |
| All digital audio inputs and outputs comply with HDMI, S/PDIF or AES/EBU standards. Sample rate converter output is 24 bit/192 kHz regardless of input. | ||
| MAIN PATH (RCA AND XLR OUTPUTS) | ||
| Frequency Response And Bandwidth | Analog Direct Inputs | 10 Hz to 20 kHz (+0 -0.2 dB), 1 Hz to 130 kHz (+0 -3 dB) |
| Analog-DSP Inputs at 24/96 | 10 Hz to 20 kHz (+0 -0.3 dB), 2 Hz to 44.1 kHz (+0 -3 dB) | |
| Digital Inputs at 24/96 | 10 Hz to 20 kHz (+0 -0.2 dB), 1 Hz to 45 kHz (+0 -3 dB) | |
| THD+N (At Rated Input And Output) | Analog Direct Inputs | 0.006% (80 kHz BW) |
| Analog-DSP Inputs at 24/48 or 24/96 | 0.004% (AES17 Filter) | |
| Digital Inputs at 24/48 or 24/96 | 0.004% (AES17 Filter) | |
| IMD (CCIF At 15 KHz And 16 KHz) | Analog Direct Inputs | <0.001% |
| Analog-DSP Inputs at 24/48 | 0.001% | |
| Digital Inputs at 24/48 or 24/96 | 0.001% | |
| S/N Ratio (Ref. 2.0 Vrms, IEC-A Filter) | Analog Direct Inputs | 107 dB |
| Analog-DSP Inputs at 24/48 or 24/96 | 101 dB | |
| Digital Inputs at 24/48 or 24/96 | 104 dB | |
| ZONE 2 AND ZONE 3 PATHS | ||
| Frequency Response And Bandwidth | 20 Hz to 20 kHz (+0 -0.1 dB), 3 Hz to 140 kHz (+0 -3 dB) | |
| THD+N (At Rated Input And Output) | 0.06% (80 kHz BW) | |
| IMD (CCIF At 15 KHz And 16 KHz) | 0.06% | |
| S/N Ratio (Ref. 2.0 Vrms, IEC-A Filter) | 97 dB | |
| FM TUNER | ||
| Sensitivity | 50 dB S/N | 13 dBµ typical, 25 dBµ max. |
| IHF | 10 dBµ typical, 20 dBµ max. | |
| S/N Ratio | Mono | 75 dB typical, 65 dB min. |
| Stereo | 69 dB typical, 60 dB min. | |
| Distortion | Mono | 0.2% typical, 1.0% max. |
| Stereo | 0.3% typical, 1.5% max. | |
| Stereo Separation | 40 dB typical, 25 dB min. | |
| Alternate Channel Selectivity (+/- 400 KHz) | 70 dB typical, 60 dB min. | |
| Frequency Response | 25 Hz to 15 kHz (+0 -2 dB) | |
| AM TUNER | ||
| Sensitivity (20 DB S/N) | 49 dBµ typical, 56 dBµ max. | |
| S/N Ratio | 50 dB typical, 43 dB min. | |
| Distortion | 0.7% typical, 2.0% max. | |
| One-Signal Selectivity (+/- 10 KHz) | 24 dB typical, 18 dB min. | |
| CONTROL | ||
| Infra Red | Carrier Frequency | 38 kHz |
| Maximum 12 V Supply Current | 150 mA | |
| Maximum Emitter Current | 60 mA per output | |
| RS-232 Interface | Connection | DB-9F, straight-wired |
| Pinout (D2v side) | Pin 2: Tx, Pin 3: Rx, Pin 5: Ground | |
| Baud Rate | 1200, 2400, 4800, 9600, 19200, 38400, 57600, 115200 | |
Configuration |
8 data bits, 1 stop bit, no parity bits, flow control (RTS/CTS, none) | |
| Trigger Outputs | Polarity | tip positive, sleeve ground |
| Maximum Current at 12 VDC | 300 mA between all three triggers | |
| Sequential Delay | 250 ms | |
| POWER REQUIREMENT | ||
| Consumption | Maximum 170 W | |
| DIMENSIONS | ||
| Height | 5-7/8 inches (14.9 cm) including feet; rack-mounting: 3 rack units without feet |
|
| Width | Standard version | 19-1/4 inches (49 cm) |
| Rack-Mount version | 19 inches (48.3 cm) | |
| No-Handle version | 17-1/4 inches (43.8 cm) | |
| Depth | 15-1/4 inches (38.7 cm) | |
| Weight (unpacked) | 27 lb (12.3 kg) | |
| AVAILABLE FINISH | ||
| Black | ||






